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Bruce Barone ~ Journal July 2010 |
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| Saturday, July 31, 2010 Beauty in the Backyard. The Finch:
The Flicker:
Friday, July 30, 2010 Tomato. They are ripening:
And I made an omelet for breakfast with the cherry tomatoes.
Thursday, July 29, 2010. A Favorite Poet. Yesterday, one of my Favorite Poets and Writers (And one of my oldest internet friends---in terms of years known! 10+) visited Susan and I, along with her husband, Reuben, and daughter, Alice. Her name is Deborah Brandon. And here is an example of her writing:
I am honored that she took time during her vacation to meet me. The meeting felt as if we were old friends and had met a long time ago, which, I suppose, we had. Here is a photo of Alice:
Wednesday, July 28 The Lower Mill Pond. Easthampton, Massachusetts.
Tuesday, July 27, 2010 Looking Out The Study Window on a July Evening.
Monday, July 26, 2010 Wheelbarrow with Black-Eyed Susans.
Sunday, July 25, 2010 The Day Of Rest.
Saturday, July 24, 2010 The Floating Cosmos.
Friday, July 23, 2010 So Many Flowers Within The Zinnia.
Thursday, July 22, 2010 Northern Flicker.
Wednesday, July 21, 2010 The Birdbath in The Garden.
Tuesday, July 20, 2010 The Zinnia and The Butterfly.
Monday, July 19, 2010 Summer of Wonder.
Sunday, July 18, 2010 The Cosmos Bloomed.
Saturday, July 17, 2010 Every Gardener Needs a Hat. According to one of my favorite gardening books, The Gardener's Bed-Book, by Richardson Wright, which was first published in 1929, and is a much beloved gardening classic by the renowned editor of House & Garden magazine in the 1920s and ’30s--each of its 365 perfectly sized little essays is meant to be read in bed at night after a long day’s work, either real or imagined, in the garden, both a charming and mischievously funny companion to curl up with:
I am now a few years past fifty, and I am gardening "furiously." Soon after I wake and before I shower, but certainly after I brush my teeth and make a pot of coffee, I will always be found outside walking around my small garden, cup of coffee in hand (cream no sugar) admiring the beauty; the deliriously colorful zinnias, the tomatoes in abundance, though not yet red, the blooming cosmos, the fragrant arugula and sweet basil, the hot peppers rising from the earth--all such a delight. I return to the garden an hour or so later to water it and then again I admire the small patch of wonder throughout the day. And I watch it here from where I write as it is right outside my window. And today I bought a hat. Every gardener needs a hat. This is what I believe. As the garden needs sun and water, so, too, a gardener needs a hat!
Friday, July 16, 2010 The Four Seasons. Today, looking through my photographs of New York City, I came upon this photo of the brass sculpture from The Four Seasons Restaurant:
The restaurant, whose entrance is on 52nd Street, was designed by Philip Johnson, who became a regular patron. Its entrance is a large, travertine-walled and -floored lobby with coatroom and a broad staircase leading to its south dining room and bar in the south base wing of the building. The room is highlighted by a very dense brass Richard Lippold sculpture that "floats" over the bar. When I was commuting to New York City a few days a week, selling printing, I would sometimes stop at The Four Seasons Restaurant for lunch at the bar, which was not only a good buy, but a beautiful and quiet place to relax and unwind from the long hours of my day. I remember I am sitting next to a woman with long blonde hair at the bar at The Four Seasons Restaurant in New York City. I am sitting next to her because it was the last unoccupied bar-stool. I come here because I do not have to talk--except to James, the bartender, who will greet me by name and "Bruce, we haven't seen you in a long time. How are you?" Her phone rings and I can hear her say "fuck" and "fucking" repeatedly during the course of her ten minute conversation. Now, I am still silent, but curious, and I say, turning to face her, "What's the problem?" "It's my fucking boyfriend," she says. "He won't divorce his wife. I mean, tell me, how much time do you need? How much time should I give him? Six months? It's already been six months. I told him one year. If he doesn't get a divorce in one year I'm out. I love him. I like all the gifts. But fuck. There's a lot of available men in New York City. Shit. I shouldn't be telling you all this. But I'm so fucking mad. He calls me ten, fifteen times a day. 'Where are you?' 'What are you doing?' 'Who are you with?' He's driving me fucking crazy. And how fucking stupid can his wife be? I mean doesn't she smell my perfume on him and his clothes? See my hair all over his clothes? I'm so fucking mad." She buys me a drink. I thank her. She gets up and leaves. I can hear her cursing as she walks away. My friend, Seth, who once worked at the bar here said:
Thursday, July 15, 2010 The Green Manifesto. I found the following list in Alice Water's beautiful new book, In The Green Kitchen, and I would tape the list to our refrigerator door if we did in fact tape notes and photos to our fridge but we do not so I am going to put it here as I reminder; I believe the Manifesto is wise and timely.
Someday I would like to visit her restaurant, Chez Panisse. Meanwhile, I made a Shepherd's Pie for dinner which had Vidalia Onion, Poplano Pepper, Corn, and Sweet Basil in it (Made with Ground Turkey and Red Mashed Potatoes):
Wednesday, July 14, 2010 The Kitchen Window. I greatly enjoying standing at the kitchen sink looking out the window at the backyard, the birds that flutter around the birdfeeder. One of my favorite poems, In The Home stretch, by Robert Frost, begins:
And speaking of birds in the backyard!
Tuesday, July 13, 2010 Daryl's Birthday. In honor of his birthday, today I wore the shirt he bought for me when he was in Spain.
Monday, July 12, 2010 Daisies and Gardens. Here is another photo from yesterday. Worked today on my new Blurb book, for which Elizabeth Avedon gave me a gift certificate to create. This is the book, The Gardens of Michael Trapp.
Sunday, July 11, 2010 The Dance of the Daises. Of the many flowers that greet visitors to our home, I think I most love the Shasta Daisy, named after Mount Shasta in Northern California, not far from where this hybrid was developed by Luther Burbank. The word, "daisy" was originally "day's eye." An early metaphorical reference to the sun, "day's eye" was later applied to the sun-like appearance of this flower, with its central yellow disk surrounded by "rays." Robert Burns said, "The Daisy's for simplicity and unaffected air." How true! Some flowers require constant clipping and watering, which, as gardeners, we surely don't mind, but the Shasta Daisy requires very little; a periodic watering and maybe if you have many, as we do, some stalking and twine tied gently around their waists to support their stems less they to fall to the earth. Even Geoffrey Chaucer recognized their loveliness: "That of all the floures in the mede, Thanns love I most these floures white and red, Suche as men callen daysyes in her toune." Now, though, has come the time to prune them and perhaps if we are diligent in our chores and responsibilities and get the cutting and deadheading done in the next few days, we will blessed in the Autumn with another blooming. As an artist, I find them always beautiful: when they first burst through the earth we know Spring has arrived or surely will soon; when their leaves appear in abundance on the ground; and then how quickly they grow toward to sky, like children, and then they flower, and as the child's smile brings us great delight, so too, the Shasta Daisy. After dinner tonight I went outside to photograph them; many still in full bloom and others near death. I find them magnificently beautiful in all stages and as I photographed a pattern seemed to appear which became quite clear as I later edited the images; they appeared in our garden as if on a stage--they appeared as ballerinas in our garden performing a scared timeless dance and I believe only the cynic and the unbeliever would doubt my vision. Here is one image below and I will soon create a gallery for them, for these Shasta Daisies, these ballerinas dancing in the summer evening light.
The plants that are neighbors to the Shasta Daises--their names a poem:
Meanwhile, I have checked out of the library four beautiful and fascinating books:
Saturday, July 10, 2010 Cleaning. It rained today. Heavy at times. The rain afforded me the time to clean my chest of drawers, my desk drawers and my closet. It is amazing what one finds when one has not looked too closely in places where things have been stored and then things stuffed into such storage places. A note from my dad dating from over 20 years ago. Notes from my mom's yearbook. Receipts. Notes I wrote, which now I can not read and when I can I'm not sure why the notes were written; they are scraps of paper with hieroglyphics on them, a code of sorts I can no longer understand. I turned to look out the window after hours of cleaning and then collecting things into their proper places. It had stopped raining. I walked around the yard.
My zinnias are opening in sparkling color. Here are more photographs of the yard. Friday, July 9, 2010 Let There Be Light. From my loft window in Eastworks. There is a gallery of some of my Mt. Tom photos here.
Thursday, July 8, 2010 Trusteeship.
Wednesday, July 7, 2010 The Moment. Someone once said to me after looking through my portfolio, "Bruce, you are a great photographer with many great photographs, but I think you should focus on one subject matter. You can't be both a portrait and nature photography; no less those two and a documentary photographer." I disagree. In a 1973 interview, Richard Avedon said, "There's always been a separation between fashion and what I call my 'deeper' work. Fashion is where I make my living. ... Then there's the deeper pleasure of doing my portraits." The painter Gerhard Richter said, "I never worked at painting as if it were a job; it was always out of interest or for fun, a desire to try something." And: "New interests came up, more attractive and more exclusively to do with painting, and these made me forgot about photography. So then came other things: Colour Charts, Grey Pictures and now Abstract Pictures."
With this in mind, today is the birthday of painter
Marc Chagall, born in Vitebsk, Russia (1887), the eldest of
nine children in a poor Jewish family. His father worked at a salt herring
factory. He wanted to be an artist, and he moved to St. Petersburg, where
he failed his first entrance exams but eventually got accepted to art
school.
Chagall said, "I work in whatever medium likes me at the moment." Here are a few images of mine (Documentary, Nature, Portrait):
Tuesday, July 6, 2010 Killing the Sparrow.
Monday, July 5, 2010 Vision for the Future. In the July/August issue of Unity Magazine (A Publication from Unity) in an article entitled "Vision for the Future" by Corinne McLaughlin with Gordon Davidson (Founders of The Center for Visionary Leadership), I read about how practical visionaries are developing sensible strategies to meet urgent human needs. The authors list eight important keys to spiritual growth and social change in the new world:
The entire article can be found here on Facebook. I think these 8 keys are wise advice for a creating a brighter future.
Sunday, July 4, 2010 A Quiet Day. After a busy day yesterday, celebrating the 4th on the 3rd, today I read and relaxed in the backyard with Nadine by my side.
Saturday, July 3, 2010 Celebrating July 4th. We celebrated July 4th today with Daryl, Danielle and Mike, Susan's mom and sister-in-law. We put together a great menu and despite the grill not working and having to cook the Turkey Burgers inside, it was a great day! The BIG News being Danielle picked out her wedding dress.
Susan sets a beautiful table. Friday, July 2, 2010 A Drive to Easthampton.
Thursday, July 1, 2010 New Gallery. In addition to the Michael Trapp Gallery, I created one today from our visit to Bunny Williams' Country Home. Here is one image:
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